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Showing 1 - 12 of 12 matches in All Departments
"It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it." So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception. This edition of Moby-Dick, which reproduces the definitive text of the novel, includes valuable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.
Bergsonian "vitalism" challenged the dominance of Spencerian
determinism in the early twentieth century and seemed to offer a
new foundation for belief in human freedom and individual
possibility. Quirk traces the impact of Bergsonism upon the
American sensibility and shows how individual writers --
particularly two such different artists as Willa Cather and Wallace
Stevens -- appropriated vitalistic notions and made them serve the
peculiar requirements of their own unique creative imaginations.
This collection of essays describes the genesis of ten classic
works of American literature. Using biographical, cultural, and
manuscript evidence, the contributors tell the "stories of
stories," plotting the often curious and always interesting ways in
which notable American books took shape in a writer's mind.
Written by one of the leading scholars in the field, "Nothing Abstract" is a collection of essays gathered over the past twenty years--all of which, in some fashion, have to do with a genetic approach to literary study. In previous books, the author has traced the compositional histories of certain literary works, the course of individual careers, and the genesis of literary movements. In this book, Tom Quirk resists the direction taken by contemporary theory in favor of an approach to literature through source and influence study, the evolution of a writer's achievement, the establishment of biographical or other contexts, and the transition from one literary era to another. All of the essays that Quirk has chosen for this collection illustrate a scholarly method. The first two essays, somewhat general in their concerns, constitute a defense for the genetic method, and subsequent essays serve as evidence for the usefulness of genetic inquiry. The entire volume challenges poststructuralist theory not through active confrontation, but merely by being what it is and doing what it does. More important though is that all of the chosen essays are intrinsically interesting. They tell fascinating stories--stories about literary genesis, biographical circumstances, and artistic ambitions and achievement. Authors discussed at length are Edgar Allan Poe, Tony Hillerman, Nathaniel Hawthorne, Herman Melville, Mark Twain, Ambrose Bierce, Wallace Stevens, Willa Cather, F. Scott Fitzgerald, and Joyce Carol Oates. Quirk also touches on Flannery O'Connor, Richard Wright, Robert Frost, Jack London, Stephen Crane, William Faulkner, and others. "Nothing Abstract" makes a great contribution to the study of important American writers and will be welcomed by all students and scholars of American studies and American literature.
In Coming to Grips with HUCKLEBERRY FINN, Tom Quirk traces the history of The Adventures of Huckleberry Finn from its inception in 1876 to its problematic presence in today's American culture. By approaching Twain's novel from several quite different perspectives, Quirk reveals how the author's imagination worked and why this novel has affected so many people for so long and in so many curious ways.
During the pivotal period of America?s international emergence, between the Civil War and WWI, the aligned literary movements of Realism and Naturalism not only shaped the national literature of the age, but also left an indelible and far-reaching influence on twentieth-century American and world literature. Seeking to strip narrative from pious sentimentalities, and, according to William Dean Howells, to ?Apaint? life as it is, and human feelings in their true proportion and relation,? Realism is best represented by this volume?s masterly pieces by Twain, Henry James, Stephen Crane, Kate Chopin, and Willa Cather among others. The joining of Realist methods with the theories of Marx, Darwin, and Spencer to reveal the larger forces (biological, evolutionary, historical) which move humankind, are exemplified here in the fiction of such writers as Jack London, Frank Norris, and Theodore Dreiser.
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment - and to understand why. Now one of America's preeminent Twain scholars takes a closer look at this icon's abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author's inner life with his writings to produce a meditation on how Twain's understanding of human nature evolved and deepened and to show that this was one of the central preoccupations of his life. Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain's mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain's thinking, and he considers not only Twain's stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition. Viewing both major and minor works through the lens of Twain's shifting attitude, Quirk provides refreshing new perspectives on the master's oeuvre. He offers a detailed look at the travel writings, including ""The Innocents Abroad"" and ""Following the Equator"", the novels, including ""The Adventures of Tom Sawyer"", ""Adventures of Huckleberry Finn"", and ""Pudd'nhead Wilson""; and an important review of works from Twain's last decade, including fantasies centering on man's insignificance in ""Creation"", works preoccupied with isolation - notably ""No. 44, The Mysterious Stranger"" and ""Eve's Diary"" - and polemical writings such as ""What is Man?"" Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America's best-loved writers. ""Mark Twain and Human Nature"" offers readers a better understanding of Twain's intellect as it enriches our understanding of his craft and his ineluctable humor.
Satirist, novelist, and keen observer of the American scene, Mark
Twain remains one of the world's best-loved writers. This
delightful collection of Twain's favorite and most memorable
writings includes selected tales and sketches such as "The
Celebrated Jumping Frog of Calaveras County, How I Edited an
Agricultural Journal Once, Jim Baker's Blue-Jay Yarn, " and "A True
Story." It also features excerpts from his novels and travel books
(including "Roughing It, The Innocents Abroad," and "Life on the
Mississippi," among others; autobiographical and polemical
writings; as well as selected letters and speeches. The collection
also reprints the complete text of "Adventures of Huckleberry
Finn," including the often omitted "raftsmen" passage.
Designed for the general reader, this set presents literature not as a simple inventory of authors or titles but rather as a historical and cultural field viewed from a wide array of contemporary perspectives. The set, which is "new historicist" in its approach to literary criticism, endorses the notion that not only does history affect literature, but literature itself informs history.
This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history. Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. For a listing of Dictionary of Literary Biography volumes sorted by genre click here. 01
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